The Parnassus Times

April 9, 2008

The List is Life: #84

84.

The Dame;

Emmanuelle Beart.

Emmanuelle Beart came to the worlds attention in 1986 when she played the title role in Claude Berri’s sequel to his own Jean de Florette, Manon de Sources. Aged just 23, the French film industry bestowed upon her the Cesar award for Best Supporting Actress, with what was her third nomination. Though going on to pick up 5 more Cesar nominations, for Jacques Rivette’s grand 4 hour marvel La Belle Noiseusse and perhaps most notably to western audiences opposite Michel Serrault in the intimate Nelly & Monsieur Arnaud. The following year she made up part of the ensemble in her only journey to date into English language films, opposite Tom Cruise in Brian DePalma’s Mission: Impossible and a few years later, made up part of a mighty gallic ensemble as one of Francois Ozon’s 8 Femmes. Though mightily established as a more than accomplished actress, Beart’s finest achievement may well be when in 2003, aged 40, she appeared nude on the cover of Elle magazine, the issue is to date, the biggest selling in the magazine’s history. Proof, if any were needed, that the great queens of the cinema, tower over all else when it comes to glamour, charm, grace and popularity.

The Dude;

Ray Winstone.

Landing the lead role in Alan Clarke’s Scum at the age of 20, Ray Winstone could have risen to stardom at a very young age, yet marred by constroversy, Scum’s planned broadcast on the BBC was withdrawn and the television story was entirely refilmed for the cinema and finally released 2 years later in 1979, but the road that Ray Winstone’s career would travel down was set. Throughout the 80s his career never really got off the small screen, his most notable role probably as Will Scarlet in the television production, Robin of Sherwood. Into the 90s and his career still seemed forged by TV work before in 1997 he landed the lead as the dark, troubled, vicious father in Gary Oldman’s semi-autobiographical domestic drama Nil by Mouth, landing a BAFTA nomination and British Independent Film award, the boy from Hackney’s star began to rise, and two years later as he again took the dark father role in another british actor-turned-director drama Tim Roth’s The War Zone. Further British Independent and European Film Award nominations further established himself as one of the most powerful talents in the nation. It would be 4 more years before his star would rise further though, first taking on the lead role in another British TV production of Henry VIII and then going onto star as part of a glittering ensemble as the subtly venemous Teague in Anthony Minghella’s Cold Mountain, over the next few years, further show stealing roles in King Arthur and The Proposition followed, a lead in his own big budget movie soon followed in the (albeit motion captured) epic Beowulf. Though perhaps most impressively of all are a pair of supporting roles in 2006 alongsie Jack Nicholson in Martin Scorsese’s Oscar winning The Departed and in the summer of 2008 alongside in Harrison Ford as Steven Spielberg brings Indiana Jones back to the screen. Now 50, Ray Winstone has established himself as major film actor, the premier British hard man on screen, and most impressively of all, in an age of Brits abandoning home for Hollywood as soon as the chance presents itself, he’s one who never forgets where he came from.

The Director;

Wong Kar-Wai.

One of the most visually unique and highly stylized film directors in the whole history of the business, it would be no surprise to anyone to learn that Wong Kar-Wai is a graphic design graduate. He began working in film in his late 20s as a screenwriter turning out about 10 screenplays over the next 5 years befoire in 1988 turning to direction with Wong gok ka Moon (As Tears Go By) a virtual reworking of Martin Scorsese’s Mean Streets starring Andy Lau and longtime collaborator Maggie Cheung. Already putting on display the vivid color palette he would become known for and landing what is to date, his only box office hit. 3 years later A Fei Zheng Chuan (Days of Being Wild) set his style in stone, a beautifully wonderous mood piece filled with luscious visuals and music. In the decade and a half since he has gone on to establish himself as one of the most respected filmmakers in the world and with 2007’s My Blueberry Nights, stepped into the west, directing his first English language film. The six films he turned out between these two, including the Palme D’Or winning Chun Gwong Cha Sit (Happy Together) are the hallmarks of one of the great auteurs in modern cinema, with his two closest stars Tony Leung and Maggie Cheung helping to blaze that trail, he is a filmmaker that shall surely continue to unleash his unique blend of hypnotic cinema upon adoring arthouse audiences worldwide, ensuring that one of the great visual artists of the era, won’t soon be forgotten.

The Picture;

Mononoke-Hime (Hayao Miyazaki, 1997)

Hayao Miyazaki is a filmmaker that from the beginning of his career, has shown a great deal of love and respect for the natural world, never was that passionate feeling more on display than in his 1997 fantasy-adventure, Mononoke-Hime (Princess Mononoke). Epic in scope, grand in ambition, it is a film that deals with the struggles of humanity, the struggles of the natural world, of animals far grander than humans can comprehend and of the mighty Gods that loom over all. At the heart of all this monumental majesty there lies humble humanity, this is the story of a young man in search for a cure for a deadly disease, and how on that journey he stumbles upon a war between man and nature, though the films conclusion does end up a little preachy, the wondrous imagination of the ride that comes before, makes it all worth it. Filled with vivid characters, glorious set pieces, large scale action, small scale action and plain and beautiful magic, it is the sort of film that feeds the sense of awe of the very young but more than delves into the sort of old school, mythic storytelling that can more than entertain people of all ages. Unquestionably one of the finest achievements in all of animated cinema, this is a film that also ranks up with the greatest of fantasy-adventure movies ever made.

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March 16, 2008

The List is Life: #96

96.

The Dame;

Sissy Spacek.

Ever since her major film breakthrough in 1973 as the naive teenager Holly in Terrence Malick’s Badlands, Sissy Spacek has been an interesting actress to watch. Equally comfortable playing quiet, restrained young girls as she did in the Malick picture and in her most famous role to date in Brain DePalma’s Carrie, as she is at the ever popular art of cinema biopic-ing as she displayed in her Oscar winning turn as Loretta Lynn in Coal Miner’s Daughter, and as the quietly furious grieving mother in her final nominated turn to date in Todd Field’s In the Bedroom. She’s an actress capable of perfectly subtle and quiet, restrained turns.

The Dude;

Tom Hanks.

Many a term has been attached to Tom Hanks over his long and storied career. Whether we refer to him as the ultimate everyman, the new Jimmy Stewart, what cannot be denied is that over the two decades since his first Oscar nomination he has proven himself to be one of the most talented and capable actors of his generation. From his pure, unadulterated childhood innocence in Big, to the weary fighting spirit of Philadelphia, American simplicity in Forrest Gump, the quiet, humble masculinity of Saving Private Ryan, or the large stretches of wordlessness that populated Castaway, in which he held the screen with his physicality and nothing but a volleyball for company, Tom Hanks has proven a versatility not found among many of his era. Truly one of the good guys.

The Director;

Nicholas Ray.

Nicholas Ray left the University of Chicago after a year to study architecture on a scholarship under Frank Lloyd Wright where he learnt the importance of space and scope that would come in great use for a filmmaker with as beautiful an eye for visuals as he did. His socialist/communist leanings soon came between student and mentor and Ray departed for New York where he became involved in the theater until his good friend Elia Kazan hired him to work as assistant on feature debut, A Tree Grows in Brooklyn. From there Ray’s star grew and grew till the mid 50s when he was doing some of the most iconic work in Hollywood, a western centred around a woman in the magnificent Johnny Guitar and the iconic Rebel Without a Cause, a title worthy of the rebel who guided it to immortality.

The Picture;

El Laberinto del Fauno (Guillermo Del Toro, 2006)

Guillermo Del Toro started making movies in 1993 and he has always had a taste for the fantastic, from the gothic horror of his first, Cronos, to the sci-fi thrills of his English language debut, Mimic, through the comic book rides of Blade II and Hellboy, Del Toro has always wandered in strange realms. That wandering finally came to a beautiful crescendo in 2006 as the Spaniard turned in the most acclaimed film of the year, a tale of startling fantasy and harsh reality, balancing both worlds with perfect precision and taking the audience into the imagination of a young girl, along the harsh road she travels and the difficult lessons she learns. It is a beautifully crafted dark fantasy, written, directed, performed, shot and scored with the greatest love and passion. Growing up and facing the world has never been so painful or so beautiful.

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